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Hey there Readerπ, What's inside: π΅ A Somerset story about believing in your inner song, π΅ A new Strings of Hope podcast with my first harp teacher Adina Haroz, and π΅ An Israel harp retreat on the horizon... Lets start with perhaps with one of the biggest highlights and lessons for me in this past year. I want to share something that happened to me while teaching at Somerset Folk Harp Festival this past July. I found myself nervous, standing in front of a room full of harpists, about to teach a workshop on Turkish and Armenian music - including 'T'kasim', where people take turns improvising while the group holds space for them. And here's the thing about improvising in front of others: it asks us to be vulnerable. To risk "getting it wrong." To let go of the safety of sheet music and just... trust. At first, only one or two people shyly took a turn. And then something beautiful happened. New melodies started jumping up - first from someone in the corner, then another corner, then from the middle of the room. One by one, as the fear of failure slowly melted away. There was magic in the air. The zoom moderator was tearing up. If I could cry easily, I would have had tears rolling down my cheeks too. I watched people improvise for the first time in their lives. And they did it. They did it. This is what I keep coming back to as we step into a new year. Deborah Henson-Conant said something that I love: "You don't have to try to be creative. You ARE naturally creative." We already have it in us. The music. The creativity. The ability to play from our hearts rather than just the page. We've actually been improvising our whole lives, from our first baby days when creating our first sentences, till today when having a conversation with a friend or loved one. We're actually natural born improvisers, we just dont always know how to let that inner born creativity flow into our music. What gets in the way isn't lack of talent - it's fear. Fear of mistakes. Fear of not being "good enough." But here's what I've learned, and what my first harp teacher Adina Haroz shared in our new podcast conversation: mistakes aren't something to be afraid of. They're actually beautiful. Have you heard of Kintsugi? It's a Japanese art where broken pottery is repaired with gold - honoring the cracks instead of hiding them. When we improvise, every "mistake" is a golden seam waiting to happen. This is the heart of what I want to teach at Strings of Hope. Not just techniques and theory (though we'll have plenty of that too). But learning to trust your own inner melody. To throw away the crutch and discover you can dance. To play from the heart, not just the page. If this speaks to you, I'm opening the Strings of Hope membership in the coming week, it's finally happening π . Founding member pricing will be available for those on the waitlist. β Join the waitlist hereβ π§ New Strings Of Hope podcast episode! Speaking of Adina - I'm so excited to share my conversation with her. She was one of Israel's celebrated harpists (and my first teacher), and her story of walking three years to practice on Harpo Marx's donated harp until she could buy her own first harp is incredible. We talk about making dreams happen, mistakes as teachers, and so much more. β Listen Here (Links to Spotify, Itunes, and YouTube Podcasts) One more thing... π₯π₯π₯ Stay tuned later this week - I'll be announcing something I've been dreaming about for a long time: If that sounds interesting to you, I'd love to hear from you. Just reply to this email and let me know if that sounds like something you would like to join. Here's to a year of trusting our creativity, making beautiful mistakes, and playing from the heart. Till next time πΆ Simcha :) |
I enjoy teaching the Harp, with a focus on connecting to ones inner song. How to play beautiful soulful harp intuitively, and to understand and apply the magic of music theory in a practical simple way. Join the Strings of Hope email list to get free lessons, concerts, and upcoming workshop notifications straight to your mailbox.
Hey Readerπ I just posted a new play-along harp videoβa short Middle Eastern style lesson with a tanpura drone to help you find that meditative rhythmic flow. We're tuned to A Harmonic Minor scale. The video guides you through building a simple left-hand rhythm over an Indian Tanpura drone, then slowly layering in the right hand, using the G# from the harmonic minor scale to bring out the ancient middle eastern vibe. The Play Along lesson combines Middle Eastern, with Modes, Right and Left...
Whats inside:*Harp retreat in the Galilee announcement. *New duo song release with Sunita Staneslow: Psalm 118.Hey there π Simcha here, and boy am I excited to share something Iβve been dreaming about for a long time: An intimate harp retreat in the Lower Galilee mountains of Israel! We're finally launching it! Here's the Dates: May 24-29, 2026. It will be for just a small group of harpists, gathering in one of the most beautiful and spiritually resonant places on earth. A week of learning,...
Hey there Reader π I just wanted to reach out and say a huge thank you from the heart for joining me on Sunday's workshop, Finding Light In The Tension, Journey Through The Modes PTII. Getting to greet each of you before we dove in, hearing where everyone was joining from around the world - Australia, Europe, across the US, Israel, Canada, Georgia - that's honestly one of my favorite parts of these gatherings. It really made my week! There's something so special about coming together as a...